Academy Publications

All of The Academy's publications are first generated by an individual member who then works intensively with a small committee on a specific topic. The resulting document is next given critical consideration by the entire membership and may be written many times before final version is completed. Finally, upon approval by a majority, the document is published as a paper and distributed to the profession. Copies of publications, original and revised, may be obtained for a nominal fee on request to the Publications officer:

Robert Gartside
20 Loring Rd.
Lexington, Massachusetts 02421-6945

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  • List of Publications
    • 1924   Code of Ethics and Practice (as amended in 1986)
    • 1926  An Outline of Theory
    • 1928  Advice to Students
    • 1929  Reasons for Studying Singing
    • 1938  Some Principles in the Care and Development of the Human Voice From Childhood through Adolescence to Maturity
    • 1944  Problems of Tessitura in Relation to Choral Music
    • 1948  Program Building for Young Singers
    • 1950   Ethics in the Field of Teaching of Singing
    • 1955  Advice to Students (revised) with supplement:
    • 1955    Advice for Aspirants to a Professional Career
    • 1955  A Recommendation for the Creation of Music Sections in Public Libraries
    • 1957  Classification of the Singing Voice
    • 1959   Auditions for the Singer
    • 1961  Qualifications for an Operatic career
    • 1963  The High School Student and the Singing of Grand Opera
    • 1964  Choral Singing and the Responsibility of the Choral Director
    • 1966  Auditions for Singers--Problems of Adjudication
    • 1967  The College Student and the Singing of Grand Opera and Recital
    • 1970  The Transition Period between Student Years and Professional Maturity Singing in English
    • 1974  A Recommendation for the Correction of Pitch Involving Performances of Singers in Opera, Oratorio, and Choral Music of the Baroque-Classic Period: 1620-1820
    • 1975  Qualifications for Teachers of Singing
    • 1979  Singing and Commercial Television
    • 1986   The Pop Singer and the Voice Teacher
    • 1991   The Professional Criticism of Singing
    • 1991  Healthy Vocal Technique and the Performance of Early Music
    • 1997  Ethical Behavior for Voice Teachers
    • 1997   Advice to Students (revised)
    • 1997  Advice for Aspirants to a Professional Career (revised)
    • 1997   Reasons for Studying Singing (revised)
    • 1997  The Care and Development of the Human Voice from Childhood through Adolescence to Maturity (revised)
    • 1997  Program Building for Young Singers (revised)
    • 1997  Musicianship and the Singer (revised)
    • 1997   Qualifications for Teachers of Singing (revised)
    • 1997   Singing in American English
    • 1997   Adjudication
    • 1999  Auditions for the Singer (revised)
    • 1999   The College Student and the Singing of Opera (revised)
    • 2002   Finding the Perfect Teacher
    • 2002   Leaving One Teacher for Another
    • 2003   Teaching Children to Sing
    • 2003   Musicianship Training for Singers
    • 2004   Promoting Vocal Health in the Production of High School Music Theater
    • 2004   The Vocal Master Class
    • 2007   The Private Voice Studio

    Chair

    Jan Eric Douglas
    777 West End Avenue
    New York, NY 10025-5551

    Vice Chair

    Robert C. White, Jr.
    600 West 116th Street, Apt 52A
    New York, NY 10027-7042

    Secretary

    Chloe Owen
    41 West 86th St.
    New York, NY 10024

    Treasurer

    Hilda Harris
    215 West 92nd ST
    New York, NY 10025

    Publications Officer

    Robert Gartside
    20 Loring Road
    Lexington, MA 02421-6945